To: K-list
Recieved: 2000/05/15 11:02
Subject: Re: [K-list] Fwd: Re: Natural Law-Sustain the Wave That is DNA-
From: dan winter
On 2000/05/15 11:02, dan winter posted thus to the K-list:
Angel-ique
(someday I too will be angel-ic)
your comments to
http://www.danwinter.com/naturallaw
were so useful.. thank you for taking the time dear...
particularly about the bliss metric
to get thru light speed in DNA being
mechanism of invisibility etc...
-
I was wanting to add your comments to
the bottom of the web article..
and then wondered if my
readers just aren't ready to hear
about the relationship of pain/bondage to
bliss generation...(not that I doubt there is much there to know)
(perhaps we could add a censored version..)
(having slandered most every religion on the planet.. could my web site
become more of an anethema to fundamentalists... probably not)
--
you are apparently clear that it is not necessary to sugar coat the message
that couch potatoes lose their DNA in natural selection..
I like that....
--
regarding your question thought about
RAVEs for young people...
presented sacred geometry multimedia at one in atlanta once..
loved the young people...
the lo O2 smoke and noise were destructive to my dna...
--
wrote this once: (exerpting only...)
--
ROCK & RAVE:
Ecstasy with Purpose?
by
Daniel Winter
Crystal Hill Farm,
Eden, NY 8/93
The great drive to achieve some kind of peak experi-ence
in music and movement, among the young at
heart, can now be admired from a new and biological
perspective. As the chemistry of ecstasy has come to
be understood as more and more of a symphony
among glandular conductors, we are understanding
better the role of music in waveguiding emotional
states.
Biological terms for music rolling deliciously between
the glands at ecstatic moment, may sound something
like phonon waves phase locking between glandular
foci among liquid crystal piezoelectric muscle/nerve
and bone plexi. The point is that we can understand
what it is informationally that we seek as a kind of
³cellular² phone call home for ET, at the moment of
ecstasy... that entrained, rapturous, sometimes even
tearful and tasting something sweet dripping like nec-tar
squoze from the upper brain onto the back of the
tongue. Ecstasy is a well described phenomenon in the
spiritual literature. It is usually accompanied by some
sort of ritual that guides attention into greater pres-ence,
something which we now would describe as the
ability of the spine to phase lock and entrain coher-ently
field effects nested concentrically to greater and
greater size/ wave length/ and context. The entrance
into the geometries of symmetry which we have called
ritual dance, corresponds nicely to the phase geometry
we have known as rhythm and music which phase
entrains the body, solar-plexus on up. Symmetry
among wave forms attracts the inertia we call atten-tion,
and the corresponding expanded presence of
mind. What we have been labeling presence here in
the mindful sense, is specifically the ability of the now
more field effect nested body to entrain/ extract infor-mation
CONTEXT from waves which nest/cascade at
ecstasy all the way to planetary size. Which is just to
say, riding the long wave for the emotion seeker is to
get the necessary context/ ³where does the small fit into
the large² kind of information from our electrical
--
The mechanic which enables electrical and sonic fields to reach between
scales, is the
classic problem which musical wave geometry as beauty in ratio solves. When
we look
at our models for the shape of what precipitates electrically around the
heart we get
the geometric keys to emotion which are musical ratios. Looking at the above
spec-trum
analysis of the heart¹s ekg during peak emotion ........the harmonics in the
con-tents
of the heart phase lock into musical whole number ratio, thus creating a
wave
length matrix for the embedding of field effects ..
The shape of theses field effect nested by the heart and it¹s electrical
entrainment of
the whole body, are established by the musical chord like geometry of the
wave-length
tinkertoys, the heart braids at peak emotion.
To put it simply, permission to touch among field effects, between bodies
the size of
people, and whole groups of people dancing together, and ultimately whole
biore-gions,
OCCURS WHEN SACRED RATIO BECOMES PHASE COHERENT IN A FRACTAL
SYMMETRY OF SELF EMBEDDED SPACE AS WELL AS TIME.
When we combine this understanding of the inherently musical geometry of
ecstatic
process in the body, to what we now know of the archetype of wave shapes
which
produce emotion (from the sentics literature). We find that just the whole
number
ratios which nest geometries among waves, are produced as a wave cracking
down a
whip, by the wave shape you create in music or art OR touch to send emotion!
Then if we grok what it means now that we have measured the effect of the
heart/
body going into electrical coherence, ONTO THE FIELD EFFECT OF A TREE 200
FEET
AWAY!...... We see that indeed, linking our motion and our music from
heartbeat to
breath to wave lengths of a planetary nature, can actually informationally
entrain us
to sentient bodies the size of Earth.
We utilize the tendency to naturally phase entrain known coherent heart
sonics when
nested in music. We carefully arrange the words of the song so that the
breath timing
is a whole number envelope around the heart rhythm. Finally we entrain in
the au-dio,
actually sonics of the electrical heartbeat of earth.
This last concept requires a bit of explanation. For a long time we have
known the
varying charge between plates of sensitive tuned capacitors will vary over
time, in a
way which is dramatically linked to astronomical alignments. The Earth¹s
gravity
bloodstream is at one level specifically a capacitive bell. Bill Ramsey has
been making
dramatically emotional audio recordings of these fields induced by the Earth
herself,
at key astrological moments for the Earth. The presence of sounds just like
the whales
in these recordings is too distinct to ignore. Samples of these recordings
accompany
the material Bill is preparing for with this document.
In summary, the concept of a harmonic module induced by coherent audio
feedback
cues among groups, can now be brought to a new level. The music of the EKG
of the
heart becomes a sonic laser at love¹s moment. The wave ratio musical
language of
emotion is known in sentics. The breath, and Schumann Earth¹s magnetic
heartbeat
can be entrained in music to a complete chord, cascading our awarenesses
into the
pressure nest of Mother Earth¹s own feeling body.
In just a short moment of feeling the feedback of our own collective
Heartbeats, be-
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